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備注：已完結(jié)
類型：劇情片
主演：忍節(jié)子 磯野秋雄 山內(nèi)光 若葉信子
導(dǎo)演：成瀨巳喜男
語言：其它
年代：未知
簡介： 20世紀(jì)30年代，東京銀座?？Х瑞^女招待島杉子（忍節(jié)子 飾）和中根袈裟子（香取千代子 飾）是一對親密無間的好朋友。杉子與原田（結(jié)城一朗 飾）相戀多時，已經(jīng)到了談婚論嫁的地步。某天，杉子無意中被一輛轎車碰倒，也由此結(jié)識了轎車的主人——富家子弟山內(nèi)弘（山內(nèi)光 飾）。這平平凡凡的遭遇，卻讓原田心生誤會，繼而選擇分手。另一方面，山內(nèi)則為溫柔可人的杉子所傾倒，情愿與定親的女友分開，但是這對不同階層的人兒必須面對重重的阻力。袈裟子厭煩了女招待的工作，適逢某女明星引退，在星探的鼓動下，袈裟子展開了全新的人生…… 本片根據(jù)北村小松的小說改編。
備注：已完結(jié)
類型：喜劇片
語言：英語
年代：未知
簡介： Ollie Dee and Stanley Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby into marrying Stanley Dum instead of Bo Peep. Enraged, Barnaby unleashes the bogeymen from their caverns to destroy Toyland
備注：已完結(jié)
類型：喜劇片
導(dǎo)演：霍華德·霍克斯
語言：英語
年代：未知
簡介： 紐約百老匯，戲劇導(dǎo)演Oscar Jaffe（約翰·巴里摩爾 John Barrymore 飾）捧紅了女演員Lily Garland（卡洛·朗白 Carole Lombard 飾），兩人成為百老匯票房保證，同時也是一對情侶。合作三年后，Lily因?yàn)槭懿涣薕scar對她私人生活的過度干預(yù)，偷偷跑去了好萊塢演電影。Oscar一怒之下起用了新的女演員，可惜票房很差，還在芝加哥欠下了債。在從芝加哥回紐約的二十世紀(jì)列車上，Oscar機(jī)緣巧合又和Lily在同一列火車上。Oscar試圖挽回Lily，不管是愛情還是演戲，但Lily已經(jīng)有了另外的戀人，也對重新和Oscar合作不感興趣。這列火車上碰巧有一位腦子不大好使的大富翁，Oscar利用這個富翁給他開了張支票，試圖以這張支票來讓Lily簽了演戲的合約。然而這位所謂“大富翁”原來不過是個精神病人，Oscar手中的支票毫無價值。心灰意冷的Oscar決定開槍自盡......
備注：已完結(jié)
類型：喜劇片
主演：威爾·羅杰斯 湯姆·布朗 安妮塔·露易絲 亨利·B·沃斯奧 大衛(wèi)·蘭多
導(dǎo)演：約翰·福特
語言：英語
年代：未知
簡介： Judge William "Billy" Priest lives in a very patriotic (Confederate) southern town. Priest plays a laid-back, widowed judge who helps uphold the law in his toughest court case yet. In the meantime, he plays matchmaker for his young nephew.
備注：已完結(jié)
類型：愛情片
主演：莫里斯·舍瓦利耶 珍妮特·麥克唐納 愛德華·艾沃瑞特·霍頓 尤娜·默克
導(dǎo)演：恩斯特·劉別謙
語言：英語
年代：未知
簡介： 劉別謙初嚐美高梅大製作的派頭，一切筆法更神采飛揚(yáng)。開敞的場景、空前的排場讓人物裏裏外外恣意張開：寡婦的心更顯孤獨(dú)，男女的愛更加沒處安放。坐擁小國大部分財富的寡婦忽然要搬到巴黎重新尋找生活色彩，國王唯恐國祚不保來一招美男計，派出風(fēng)流種子色誘寡婦。本來一個用情一個求性，幾番邂逅與折騰，改寫了男男女女的基本需要。歌與舞沒有賣弄甜膩，反而放在愛情的沉重中換來了歌頌。歌與影無間交流，劉別謙輕歌劇巔峰之作，亦成了荷里活極有代表性的一章。司花利亞與珍娜．麥當(dāng)奴最後一次合作，後者散發(fā)從未有過的成熟韻味。堪稱最性感的音樂劇?！ ated "the sexiest musical in the thirties", The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's "girls, girls, girls". Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls. Source: 28th HKIFF
備注：已完結(jié)
類型：愛情片
主演：弗雷德里克·馬奇 伊夫琳·維納布爾 蓋伊·斯坦丁 凱瑟琳·亞歷山大 吉
導(dǎo)演：米切爾·萊森
語言：英語
年代：未知
簡介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
備注：已完結(jié)
類型：喜劇片
主演：達(dá)尼埃爾·達(dá)里約 皮埃爾·曼岡 Raymond Galle Paul
導(dǎo)演：Alexander Esway 比利·懷爾德
語言：法語
年代：未知
簡介：比利·懷德導(dǎo)演的第一部電影
